An
Interview with THE WROUSSARA TRILOGY Author
Wroussara
(pronounced: roo-saw-rah) - We Who Are One
Introduction:
The Owner of the Crystal
Cauldron Web site is an ardent fan of the Wroussara
Trilogy science fiction novel in three volumes, by Timothy M. Thompson. She
was fascinated by Volume One and interviewed the author to delve into the
background and some of the meaning in this new novel about life among space
aliens. The following interview was conducted by e-mails. It is presented
here in its entirely, by permission.
Crystal Cauldron:
I was extremely
impressed with the Wroussara Trilogy, Volume One. It was a real "page turner" and I felt like I was "there" with
the characters because your descriptions are so imaginative and clear. It
is very engaging, interesting, and brilliant! What was your purpose in writing
this wonderful story?
Author:
I have always enjoyed scifi and have been curious to explore what an
encounter with space aliens might be like if it was more realistic, more
like the way we encounter other creatures in our natural world.
How is it possible
for humans and animals to "communicate" when
they have no linguistic abilities and we have limited understanding of how
they communicate with each other? It is as if there is an undiscovered level
of understanding at work. I extended this curiosity to aliens from outer
space and avoided the usual scifi cliches. I considered:
-
Why do we assume that an intelligent species from another planet would
make use of radio, or mechanical technology? If their life evolved very differently
from our own, wouldn't their methods and developments be equally different?
I use this different approach in the novel, more like what we experience
in real life among natural creatures here on Earth, when encountering an
extraterrestrial alien species that has no concept of who or what we really
are.
In dramatic writing,
one popular style is to place the protagonist in an unknown environment and
explore how he/she adapts to it. I used this in the Wroussara Trilogy. I
place the "hero", Paul, in an alien environment
with all these considerations and then follow his adaptation to it.
Crystal Cauldron:
The main character, Paul, is wonderful. I really liked him and felt
tremendous empathy for him. He's an excellent character! Tell me more about
him .
Author:
Paul,
as the central character of the book, is designed to provide the reader with
a number of "hooks", things
they can identify with so they can have empathy for him and his situation.
Dramatically,
he is a reluctant "hero" on the "hero's
quest". He has "greatness thrust upon him" by accident. He
has to deal with it, and therein lies the tale.
We
learn in the Volume One that he was abused as a child, so severely that as
an adult he sufferers from PTSD -- post traumatic stress disorder. As a result,
he is almost a "mechanical man";
he goes through the motions of life without being emotionally engaged in
his life. He lives alone and has only a few close friends. Even when early
on in the book, he receives counseling; it is a tough road for him to follow
to find relief.
He feels alienated in his own world. It allows for an ironic twist that
when he meets the Wroussara, space aliens, and travels with them to their
planet where HE is the alien, he finds the sense of acceptance and companionship
that eluded him among his own kind. But, he is not used to such treatment,
and has to learn to adapt. How he does it is cause for curiosity, wonder,
and some amusement.
Crystal Cauldron:
Although many of the characters in your book are space aliens, there
is a human villain, Rev. Ebediah Dickensen. He really got under my skin and
stirred my emotions. He is so wicked! How did you come up with such a strong
character?
Author:
The Rev. Ebediah Dickensen is a fictional conglomeration of all that
I believe is wrong with religious abuse and fanaticism, regardless of faith.
I deliberately spell his name incorrectly so people have a better understanding
that this character IS fictional, and not a thinly veiled image of a real
person.
This man, like Paul's father, is a real bully; he has a charismatic preaching
style that lures people in and grabs their loyalty to the point that members
of his congregation do not use common sense and even lose sight of their
own humanity and compassion. His abuses cause great harm to many in the small
town where Paul lives as a child. This comes to a climax when Rev. Dickensen
leads a rabid mob of parishioners to attack young Paul for a misconstrued
offense, and then so manipulates the legal process that he makes Paul into
the criminal, when the reverend himself is the actual criminal of a dangerous
act of arson.
We
learn about this at the end of Volume One. It certainly helps explain Paul's
feelings of alienation in his own world!
Crystal Cauldron:
Why didn't you have the kindly Wroussara space aliens come to Paul's
rescue?
Author:
That would be too
convenient… too much of a "Deus Ex Machina".
(Interviewer's note: "Deus Ex Machina" is
a literary device from the ancient Greek plays, where something unexpected,
implausible, and fantastic is used to resolve a complex plot issue.)
We learn about Paul's horrendous childhood experiences through flashback
and revelation AFTER he has met the Wroussara. His psychic wounds have not
healed yet, but thanks to the Wroussara, he now has a chance to heal and
become whole. How and why they manage to help him is naturally integral to
the plot and Paul's journey of self discovery.
Crystal Cauldron:
I love the Wroussara space aliens and felt empathy for them. They are
a fascinating species, being tall, bipedal, and insectoid, yet are remarkably
kindly and compassionate. This is such a refreshing change from the usual
scifi space alien approach. Why did you make them this way?
Author:
Some
people have a revulsion of insects, which is called "Entomophobia" in
Psychology. "Space bugs" have been around in scifi for years, almost
always in destructive roles because to many, they are terrifying. It makes
for thrills and horror, but by now is very cliche.
I
wanted to try out the "flip side" of that approach.
I chose the Wroussaran's shape and species so I could use them as unexpectedly
interesting characters. I did soften them a bit to make them more approachable.
They are frightening in some ways to look at, yet compelling and attractive
in others.
I was also interested in exploring the insect mentality, especially the
hive mentality and how that relates to human society and culture. The Wroussara
are a gestalt society, like the hive, and they have shared thought and interest.
They have no concept of difference. Since they do not know difference, they
do not know prejudice, which gives them the distinct advantage of an open
mind.
But, what is the cost of a gestalt mind set? What happens when everyone
is exactly the same and thinks the same? What happens to their culture and
development? In the case of the Wroussara, it means a quality of life that
is so bland it is almost mind numbingly dull. Paul brings them the gift of
difference, hence their interest and attraction to him, and they give him
an unexpected sense of acceptance and belonging in return.
Crystal Cauldron:
Would you please tell my readers what makes Paul feel so alienated
on Earth?
Author:
Late in Volume One, after much angst about the situation, Paul reveals
himself to be a homosexual -- one of the main reasons he is so alienated
on Earth.
Unfortunately
some human societies condemn homosexuality for a variety of reasons, many
of which are completely irrational and harmful. This alienates people, diminishes
them, and is a source of terrible prejudice and human suffering. The problem
on Earth for Paul is that even though there are many LGBT (Lesbian, Gay,
Bisexual, and Transsexual) support groups available, they don't "work" for
him very well, no matter how hard they try.
The
LGBT groups that Paul meets in his college years are definitely a social
step forward. They strive to achieve the very important aspect of equality
under the law, and they try to help him come to an acceptance of himself.
However, he does not fit in well with the LGBT groups he meets in his college
years because his childhood traumas are so great that he remains a "loner".
He is able to find love in these years, but his relationships all fail.
His
solution to his trauma and relationship failures is to withdraw from life
emotionally while trying to be the best person he can be, keeping his sexual
orientation a secret, to do what is expected of him, and hope he can find
some measure of happiness and satisfaction from life in the process. He lives
a life of "quiet desperation".
He becomes emotionally numb. Until he meets the Wroussara.
Paul assumes
that the Wroussara are just like many humans; that they would be revolted
if they knew he was homosexual, a "gay", and
he spends much of his time among them "in the closet", trying desperately
to keep his secret from them, compelled by his human experience and fears.
What he discovers when he finally does "come out" to them is completely
unexpected and has amazing results for all concerned.
Crystal Cauldron:
I loved the character of Diane, who we meet in Volume One of the Wroussara
Trilogy. She is a great friend. But there are other fascinating women in
the Trilogy. Tell me more about them.
Author:
Although Paul is gay, he likes and enjoys women as friends and confidants.
In Volume One, we meet some wonderful female friends who are noble, compassionate,
caring and intelligent, with whom he has a strong relationship of mutual
respect and admiration. The relationships are, of course, platonic, but also
very rewarding. These women are a source of much needed compassion and understanding
in his life.
A powerful
new female character appears in Volume Two and more appear in Volume Three.
This adds new perspective and interest.
Crystal Cauldron:
A lot of science fiction is about advanced technology. But you present
a fascinating twist with the science that is used in the Wroussara Trilogy.
Tell me more about that.
Author:
In the Wroussara Trilogy the science I focus on is Psychology, not Technology.
So we explore emotions, the role of the unconscious, the importance of dreams,
the power of imagination, intuition, and even psychic ability.
We also go to a where mechanical technology is absent and bio-technology
is the norm. The Wroussara do not build space ships, they grow them! They
have a wonder substance, Tarran, which can cure any disease. They can easily
map and understand any DNA matrix. They have the ability to alter themselves
and other life forms genetically if necessary. They have a bio-neural Internet
instead of computers. They have a telekinetic ability that allows their Star
Hoppers -- living space ships -- to travel at many times the speed of light.
The book discusses these in detail.
Crystal Cauldron :
I found
the Wroussara Trilogy very refreshing because it avoids some of the traditional
scifi "props" and
introduces some new science principles. Please tell me more about that.
Author:
There
are no "ray guns", lasers, "phasers" or any
of that stuff. In fact, weapons are almost non-existent. There are no "transporters" or
computers as we understand and imagine them, and there are no prolonged epic
battles of space ships and space alien armies locked in a struggle of "good
versus evil". In the Wroussara Trilogy, the lines of good and evil are
rather blurred, as they are in the natural world.
Even
though the Wroussara are bio-technology based, they aren't the slobbering,
sloppy, "goop" dripping creatures we often see in science fiction
where aliens use a bio-technology. Many insects are very clean, curious and
precise creatures. So it is with the Wroussara. They are as "neat and
clean" as machines. Their organization of natural materials is as remarkably
geometric and precise as the nests of the paper wasp and the honeycomb of
the bee.
There are space ships; of course, we have to have space ships! And one
of the Wroussaran Star Hoppers, living spaceships that look like gigantic
viruses, pulls a remarkable surprise on everyone.
Crystal Cauldron:
You said that the lines of good and evil are blurred. But aren't the
Scaradin, the arch enemies of the Wroussara, evil villains?
Author:
The Scaradin are a competing species. This does not make them necessarily
evil. They are indifferent, arrogant, and cruel by nature. Their cruelty
towards Paul, their torture of him has, for them, a very specific reason
and goal. This doesn't make it right, but then, the Scaradin torture each
other and live by an insane moral code. Paul's initial interaction with these
aliens is through a Scaradin High Priest named Bash-Tu. He's a very intelligent
alien, has psychic ability, and is just about as nasty as they come. He is
clever, but not a fanatic. He has a goal and mission that he must achieve,
and this is what motivates him.
There is reason why the Scaradin are as twisted as they are, much of
which is revealed in Volume One, and elaborated in Volumes Two and Three.
Theirs is actually a very tragic history.
They are also a dramatic foil for the Wroussara. They seem to lack all
the qualities that the Wroussara possess, while having some inherent qualities
that the Wroussara lack. This makes for interesting juxtapositions, and it
is a puzzle that Paul, as part of his journey of discovery, must solve.
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